Like most people, I was shocked and saddened to learn of David Bowie’s death yesterday. Over the holidays I’d given in to a strong urge to watch Labyrinth, for what must have been the 142nd time (I’m probably only mildly exaggerating, and may even be underestimating the number), so my most recent vision of Bowie was as the Goblin King (so young! So pretty! So much glitter!). He was one of my first major musician crushes, to be followed shortly afterward by Bono and Robert Smith.
I have a hard time watching my heroes age…seeing Val Kilmer in a recent episode of Life’s Too Short made it hit home for me that Willow, like Labyrinth (and the 80s!) happened around 30 years ago. Et In Arcadia Ego. I had seen recent photos of David, but I must have unconsciously expected him to eventually start aging in reverse, as a spectacular performance art piece.
Fangirl Portraiture: David Bowie
Realism not being my forte as a painter, I’m usually hesitant to try capturing real people. I did, however, do a fairly recognizable version of Bowie about 15 or 16 years ago. The original art fell victim to canvas rot about ten years ago, when I unwisely stored it under the spare bed, in my shitty apartment on Milford Crescent. But this postage-stamp-sized photo remains.
I may have to take another shot at it before long, now that I have a better command of how to do hair.
Happy New Year everyone! It was just around a year ago that I made the deal to move into my studio space. At the beginning of 2015 I set myself the goal of 12 paintings over the course of the year, which was way up from my pre-studio output of, perhaps, two canvases.
Thanks for following my art journey this year. If you’re interested in artists’ progress photos, you can find quick snapshots from the studio here on my Facebook page.
I surprised myself by exceeding my own expectations, but thought I’d do a self-indulgent retrospective post to show off what I think were my best 12 paintings of the year. In addition to developing my “stained glass” style, I wanted to play with realism, and to refine my technique in capturing certain things like feathers and leaves. One of my friends recently said it looked like two different artists had been working in my space; I have to agree.
The beauty of having a dedicated studio location is the time and room to work with multiple canvases at once, and to experiment wildly with style and subject matter. I’m looking to do more of the same in 2016.
With thanks to everyone who offered compliments and suggestions, and extra love to those of you who bought pieces. I truly appreciate your support.
It’s official! I dropped three paintings off at Art On Main this afternoon for their 10th anniversary juried exhibition. The show opens September 2nd and runs until September 30th. The reception will be September 18th during the gallery hop.